Most people have heard of classical music and jazzy music, but most are unfamiliar with the term classic jazz and what it means or what it is. Many people call it jazzical or classijazz because it is an incredibly popular genre that opens a lot of possibilities and sounds when played correctly.
Massive Diversity
Both genres of music offer a lot of diversity, meaning it can be quite difficult to determine when you have something “jazzical” in nature. While most people call this a fusion of musical genres, the musicians themselves prefer to think of it as a distinctive thing that is singular and necessary instead of something that is not one thing or another, but something in between.
What It Is
While it is a fusion of both genres, it offers classical music styles that are timeless, traditional and loved and fuses it with the jazzy art form by using modern composers and some original jazzy music.
This phenomenon isn’t new, as many artists in the 1960s were pairing together classical works and jazzy ensembles to find new and exciting music. However, more and more singers and vocalists are now turning to jazzical music because it offers a lot of leeway with their tones and sound.
Popular Ensembles/People
During the 1960s, Schuller decided to bring together various musicians to showcase that it is possible to create something that is jazzical and imaginative from his “Third Stream” album. In it you will find Eric Dolphy, Bill Evans, Ornette Coleman and the Contemporary String Quartet, among others.
While most people think that anything classijazz has to be about improv, you’ll notice that the Ebony Concerto isn’t like that at all. Stravinsky wrote the Ebony Concerto for Woody Herman, a clarinetist, showing that improvisation isn’t necessary to create a fusion of genres. While some disagree and say that the piece is only his interpretation of what the fusion of the musical styles would be, it still sounds like a classical piece with some jazzy undertones.
Still others took an entirely classical piece, such as Back’s D-Minor Piano Concerto and changed it to become a fusion of methods. While some may cry out that you shouldn’t “fix” perfection, Loussier added rhythmic and harmonic implications to take the piece to a dark and dazzling extreme.
Classic jazz artists can be easy to find throughout the years because many have understood the pleasant tones from jazzical pieces. Visit the website of Sylvia Brooks today to learn more about her tone, abilities, and musical numbers.
